Tag Archives: Hong Kong Society Women’s Group

On Grandmothers and Pioneers

March 8 is International Women’s Day. On this day, men in Eastern Europe send flowers to the women in their lives, while the women finally get a much-needed break from housework.

In the rest of the world though, March 8 does not hold much significance. The odd gathering takes place, but many of my friends have no idea when International Women’s Day actually is. Which makes the style in which I celebrated it last month – at the Fox Club in Mayfair, central London – especially memorable. Within the lovely setting of this private members’ club, a dozen women from across the globe communed, to exchange stories about our lives and those of our grandmothers. What could have been more apt?

The backdrop of a London overwrought with leaden skies and puddles also proved poignant, at least for me. It was cold and drizzly. This is the London I know like the back of my hand. I may moan about it and grumble, but its familiarity makes me feel at home.

Conversation hummed as we sat down to a lunch hosted by the Hong Kong Society Women’s Group. I had been invited to read extracts from my novel alongside Kerry Young, whose debut work Pao was published in 2011 to much acclaim by Bloomsbury. Neither of our novels has any Hong Kong connection, but Karen Luard (who had arranged the lunch) wanted Kerry and I to share our experiences of being part of the far-flung Chinese diaspora.

When discussion was eventually opened up to the floor, there were fascinating contributions from our audience. Because my novel tells the story of a woman who starts a business to save her family, it made many of those present think about the women in their own families, especially their grandmothers. Whether they hailed from South Africa or Malaysia, the stories they recounted had a common thread: they featured stoical old women, all unsung, who were not well-educated but who sustained their families. These grandmothers used whatever means they could: some sewed; others, like the heroine in my novel, cooked. Without so much as a moment’s thought, our grandmothers and great-grandmothers were unwitting pioneers.

And pioneers are not always appreciated, certainly not during their lifetimes. How much consternation, ridicule even, our grandmothers and great-grandmothers could have faced. We think we have an easier time today – and that is true in many ways – but there have been many occasions when I have felt extremely uncomfortable listening to the way male friends or colleagues talk about women, especially about those women who dare to stand above the parapet. Their tone is sneering, coloured by a disdain which allows misogyny in all its subtle forms, to be disguised.

Take Hillary Clinton. I have heard her reviled in ways reserved only for female politicians. Yes there are plenty of male politicians who are hated, loathed even, but I have never heard them discussed in the same scornful tone – one which veers well beyond contempt.

And there are still people today who would not vote for a woman.

April 8 saw the passing of Margaret Thatcher, a towering figure no matter what you thought of her. I arrived in Britain months after she became Prime Minister, and became an adult during her tenure. She was nothing if not polarising: most strong personalities are. Amidst the hubbub, it is easy to forget that she was a pioneer – it could hardly have been a doddle being the country’s first female Prime Minister. As Barack Obama tweeted, “She stands as an example to our daughters that there is no glass ceiling that can’t be shattered.”

I could not have put it better. Thankfully, glass ceilings everywhere continue to fall. But more International Women’s Days will have to pass before we can all truly say that we are as happy celebrating the birth of a daughter as much as that of a son.

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Filed under Identity, Novel

I’ve Finished, Now What?

Many readers of this blog have asked when my novel will be published. A few even assumed, after my last post, that it had already been published!

Ahh, if only…

Two years ago, I attended one of the conferences organised by a unit of Bloomsbury Publishing (of Harry Potter fame). The conference was temptingly called ‘How to Get Published – the Insider Guide to the Media’.

Several hundred of us hopeful writers made our way into a hall at the Wellcome Collection in central London. It was a typical conference hall, with seats on an incline that pointed towards a stage at the front. From their vaunted podium, the first thing senior executives of Bloomsbury did was to greet us. Then they proceeded to say that at any point in time,  a million manuscripts were floating around in search of a publisher. Thanks for the welcome, I thought. The message was so razor-sharp, it could have sliced stone-hard bread: British publishing didn’t need us; it already had enough backlog.

During breaks, I heard other people’s stories. A few delegates, having lived through multiple rejections, had been attending the same conference for many years. Some had been told by agents that there was ‘no market’ for their work. While listening to such war stories, I could see the attractions of self-publishing, though none of my fellow writers showed much enthusiasm. They wanted the prestige of traditional publishing. Others didn’t feel they had the business background to self-publish.

While at the conference, I bought a copy of the Writers’ and Artists’ Yearbook without knowing whether or how I would use it. This tome not only lists agents and publishers in major Western countries, it also gives detailed suggestions for how pitch letters and synopses should be written. Covered with such plaudits as ‘The one-and-only indispensable guide to the world of writing’, this from William Boyd, who could resist? It seemed a snip at £18.99. (Older editions are even cheaper on Amazon). For a fleeting moment, the conference on How to Get Published made me wonder whether I even wanted to be published, but this lasted all of a nano-second before natural ambitiousness took over. I could see my Chinese and Nyonya ancestors standing over me, wagging fingers, tsk-tsking. I left armed with a resolve to complete writing my novel. I decided to worry about publication at a later date.

That crucial moment has now arrived. I have to decide how best to get my novel published and into the hands of the readers whom I believe will be there. This may seem presumptious for a first-time novelist, but on the other hand, I’m supposed to know my audience – and I do. My target readership is Isabel Allende‘s, the Chilean-American writer who has sold 57 million books world-wide. That’s a nice number,  not at all bad for a target audience, I’d say. I think my novel would appeal to her readers because I write in the same story-telling style, and also because my work is a multicultural historical epic family drama, as are many of hers.

But I’m looking to attract new readers too, especially those with Asian roots. While writing my book, I consciously set out to portray Asians as we see ourselves, and to weave as much of South East Asia – be it place, ancestral stories or folklore – into the story as possible.

Knowing this is all very well, but what the hell should I do now? Previously, I would have had little choice but to go down the route of traditional publishing. That would mean fighting for the attention of an agent, because with the million manuscripts floating around, agents too are inundated. Even if I succeeded in finding an agent, there would still be no guarantee of publication – the agent would have to place the manuscript with a publisher willing to take on the book and the risk of a new writer.

But we are now in the digital age, and I have the option of publishing and selling the novel myself. Yet, when I think about what this would entail – all of the copy-editing, proof-reading, lay-out, design, printing (since not everyone in my target audience would have an e-book reader) and most of all, the marketing which a traditional publisher would undertake for its authors – I shudder. It would take me light years away from the creative process. I baulk, despite having a business background which equips me well enough to grapple with rankings on Amazon, persuade reviewers to read my book, even trudge from store to store to sweet-talk them into stocking copies. Because I do have business experience, I realise that this would be a very long-term project for a new writer. Not impossible, just extremely tough for my genre. Though it is a perfectly legitimate route, and one which would give me complete control over my work, as well as (in principle) the lion’s share of any royalties.

Whenever I think about publishing, it becomes abundantly clear that writing was actually the easy part!

For the moment, I have decided to pursue traditional publishing. This is mainly because my first novel is intended as the start of a trilogy and – call me mad – I’ve already started the second. Only a small part, mind, and there’s still a lot more research to do. But a start has been made! This second novel will continue the epic family saga beyond 1941, when the Second World War reaches Malaya.

One way or another, I intend to get published. Meanwhile, if you’re in London over the next two months, I’ll be reading extracts from my novel at two events:

16 February 2013 at the Islington Chinese Association, as part of a Cultural Day to celebrate Chinese New Year

8 March 2013 at a lunch to be hosted by the Hong Kong Society Women’s Group, where together with Kerry Young, author of the acclaimed novel Pao, I will read and explore perspectives on the Chinese spirit for International Women’s Day

Do come if you can!

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Filed under Novel, Writing